The opera and ballet communities are firing back at Timothée Chalamet after the “Marty Supreme” star said during “A CNN & Variety Town Hall Event” that he didn’t want theatrical movie going to end up like the “ballet or opera,” where artists want to “keep this thing alive” even though “no one cares” about it anymore. London’s Royal Ballet and Opera took to Instagram on Friday to share footage of its craftspeople and performers in an apparent response to Chalamet. The caption of the post read, “Every night at the Royal Opera House, thousands of people gather for ballet and opera. For the music. For the storytelling. For the sheer magic of live performance. If you’d like to reconsider, [Timothée Chalamet], our doors are open.”
The English National Opera also invited Chalamet to a performance via Instagram on Friday. The company posted a photo of Chalamet captioned with his viral quote, and wrote, “We’d love to change your mind- free tickets on us to help you fall back in love with opera anytime xoxo.”
Colombian ballet dancer Fernando Montaño took a more pointed approach, sharing a formal letter to Instagram explaining his thoughts on Chalamet’s comment. In it, he wrote, “Perhaps one of the greatest mistakes human beings can make is to compare themselves with others, or to compare one form of expression with another. Comparison rarely allows true understanding; instead, it limits growth and prevents people from developing their own talents and perspectives.” London-based dancer Anna Yliaho also had a personal message for Chalamet. She wrote on Instagram that “only an insecure artist tears down another discipline to elevate their own.”
In a more tongue-in-cheek response, The Seattle Opera is offering 14% off tickets for its production of “Carmen” if you use the promo code “Timothée.” In his full quote, Chalamet told Matthew McConaughey that he sees both sides of the argument about the dwindling popularity of movie theaters. He said the success of a “serious movie” like “Frankenstein” shows that audiences still crave nuanced storytelling, but at the same time, he understands that “some people want to be entertained and quickly.” “I’m really right in the middle, Matthew,” Chalamet said. “Cause I admire people, and I’ve done it myself, [who] go on a talk show and go, ‘Hey, we gotta keep movie theaters alive. You know, we gotta keep this genre alive.’ And another part of me feels like, if people wanna see it, like ‘Barbie,’ like ‘Oppenheimer,’ they’re gonna go see it and go out of their way and be loud and proud about it. And I don’t want to be working in ballet or opera, or things where it’s like, ‘Hey, keep this thing alive.’ Even though it’s like, no one cares about this anymore. All respect to the ballet and opera people out there. I just lost 14 cents in viewership.”